<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4399162052494392159</id><updated>2011-04-21T20:45:08.803+02:00</updated><title type='text'>Julien Clauss</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://field-julienclauss.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4399162052494392159/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://field-julienclauss.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>FIELD</name><uri>http://www.blogger.com/profile/17772288205740600873</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4399162052494392159.post-8568037185691110787</id><published>2007-08-30T18:13:00.002+02:00</published><updated>2008-05-15T13:48:32.060+02:00</updated><title type='text'>JULIEN CLAUSS</title><content type='html'>&lt;span style="color: rgb(204, 0, 0);font-family:verdana;" &gt;Geboren / born 1974 in Frankreich / France&lt;br /&gt;Lebt und arbeitet / lives and works in Berlin&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;Künstler / Artist's Homepage:&lt;a href="http://www.cycliq.org"&gt; &lt;/a&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);font-family:verdana;" &gt;&lt;a href="http://www.cycliq.org"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;WWW.CYCLIQ.ORG&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;LEBENSLAUF / CURRICULUM VITAE&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);font-size:78%;" &gt;Studies&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);font-family:verdana;" &gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;1979 - 1987&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);font-family:verdana;" &gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;Suzuki Institute of Strasbourg&lt;br /&gt;Degree in fluid mechanics and a master's degree in mechanical technology&lt;br /&gt;Course in acoustics at the Conservatoire National des Arts et Métiers, Paris&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 0, 0);font-size:78%;" &gt;&lt;br /&gt;Exhibitions and Festivals&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;2 0 0 8&lt;br /&gt;PAUSE :   audio-tactil installation&lt;br /&gt;Circuits Eclectiques #2, Agora, Evry&lt;br /&gt;BULLES : concert on water, open air spatialised sound performance&lt;br /&gt;Lac d'Annecy, Annecy&lt;br /&gt;PAUSE :   audio-tactil installation&lt;br /&gt;Festival OCTOPUS, Maison des M_étalos, Paris&lt;br /&gt;&lt;br /&gt;2 0 0 7&lt;br /&gt;BULLES :  open air spatialised sound performance&lt;br /&gt;Villa Arson, garden, Nice&lt;br /&gt;ISO : installation in public space&lt;br /&gt;Passage du Glacis, Luxembourg 2007&lt;br /&gt;Retour à la surface : sound sculpture&lt;br /&gt;Galerie Field, Berlin.&lt;br /&gt;A journey into stereo sound : headphone concert&lt;br /&gt;Festival Le Placard X, Paris&lt;br /&gt;La cellule de structuration du lendemain : performance for voice synthetizer&lt;br /&gt;La Générale, Paris&lt;br /&gt;VOL : installation sonore&lt;br /&gt;AltStadt Neu, Spangenberg&lt;br /&gt;LES PHASES SYBARITES :  open air spatialised sound performance&lt;br /&gt;Chateau de Veauce, Allier&lt;br /&gt;Betilyonis : 8 channel concert&lt;br /&gt;Café Charbon, Nevers&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;2 0 0 6&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;SAEL : multimedia installation in public space.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Lyon, Fêtes des lumières&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Retour à la surface : sound scuplture&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Galerie [inter]stice, Lyon&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Réactions épidermiques : résidence for audio-tactil performance.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Tesla, Berlin&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Raplapla : audio tactile installation with Lynn Pook&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Techné Festival, Istanbul&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;2 0 0 5&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Transversal Memory : net-art performance , with b-l-u-e-s-c-r-e-e-n&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Friche RVI, Lyon. http://b-l-u-e-s-c-r-e-e-n.net/transversalmemory/&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Pause : audio tactile interactive installation with Lynn Pook : net hanging bed with vibrant loud speakers.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Festival Intrusion, Montbéliard&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Betilyonis : height channels audio performance with Cedric Pigot&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Les voutes, Paris&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Pause : audio tactile interactive installation with Lynn Pook&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Festival Emergences, Paris&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Raplapla : sound creation for the audio tactile interactive installation from Lynn Pook&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Festival Neue Musik Rumlingen, Suisse&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;The Ultrasound of therapy : audio-tactil installation with Lynn Pook and Staalplatt&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Festival Garage, Strahlsund, Germany&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Regard sur le Bruit : performance, expérimental cinéma with O. Perriquet&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Panorama 6, Le Fresnoy, les Hospices d'Avré, Musée d'art moderne de Lille&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;2 0 0 4&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Transversal Memory : net-art performance , with b-l-u-s-c-r-e-e-n :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Plasticiens du Web, Centre Pompidou, Paris&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;StreamScape: Net-art installation with b-l-u-s-c-r-e-e-n :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;real time landscape from webcam fluxus hybridation&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;zone#01, Aix-en-Provence&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Initiales D.J.: theatre with TNT company&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;théâtre de la Tempête, Paris&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Fiction (fictions) : generativ book from jean Pierre Balpe&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Sound creation workshop&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Maison du Geste et de l’Image, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;2 0 0 3&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;solidsound : dance and sound spatialisation with motion tracking&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;théâtre du Marché au grain, Bouxwiller&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;différence de marche : sound installation&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Galerie u-s-t-l, Lille&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;persistances, itération 06 : experimental cinema&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;USTL, Lille&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;radiographie : sound installation with triny Prada&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Atelier Prada, Montreuil&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;rectangle : performance, 9 hours mix from minimalist and noisies pieces&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Atelier Prada, Montreuil&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;persistances, itération 05 : concert / cinéma expérimental&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;dwni : installation sonore :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Galerie Stimultania, Strasbourg&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;persistances, itération 04 : concert / cinéma expérimental&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Galerie Interieure, Lille&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Quoi, où ? de Samuel Beckett&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Mise en scène L.Nobileau -JTN Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;2 0 0 2&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;pré-circulation: 24 hours open air spatialised sound performance&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Pierre Pflimlin Bridge, France/Allemagne&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;persistances, itérations 01-03 : concert / cinéma expérimental&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Manifesta #4 -Francfort Biennale&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Zoo Cabaret avec L. Nobileau&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Les Voûtes, Lilas en scène, Paris&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;2 0 0 1&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;quelque chose comme vingt heures de musique électronique contemporaine …&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;performance with Cedric Pigot, Alexandre Pax and Marc Lansley&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Strasbourg&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4399162052494392159-8568037185691110787?l=field-julienclauss.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://field-julienclauss.blogspot.com/feeds/8568037185691110787/comments/default' title='Kommentare zum Post'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4399162052494392159&amp;postID=8568037185691110787' title='0 Kommentare'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4399162052494392159/posts/default/8568037185691110787'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4399162052494392159/posts/default/8568037185691110787'/><link rel='alternate' type='text/html' href='http://field-julienclauss.blogspot.com/2007/08/julien-clauss.html' title='JULIEN CLAUSS'/><author><name>FIELD</name><uri>http://www.blogger.com/profile/17772288205740600873</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4399162052494392159.post-2383896950253678874</id><published>2007-08-28T18:56:00.000+02:00</published><updated>2007-12-06T18:42:27.517+01:00</updated><title type='text'>WERKBESCHREINBUNG / ABOUT THE WORK</title><content type='html'>&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;Since 2001, Julien Clauss has developed  plastic sound work and has developed installations and performances which bring  into play the materiality of the soundfiels  and the spatial diemension of the sound.  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;He seeks physically to engage the listener in the process of listening and uses the sound as a means of establishing a relationship between the physical  body and space.  The confrontation between the human body and various types of sound spaces allows it multiple experiences of perception.  &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;His esthetics of sound oscillates between micro-sound and ambient noise.  For his performances, he has developed an octophonic sound system, as well as interfaces and applications for spatializing and real time processing. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;He create the 8 channels sound performance Betilyonis with Cedric Pigot, participe with Bluescreen on the net art projects Streamscape and Transversal Memory, and work with Lynn Pook on audio-tactile installations and performance.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;He organizes experimental electronic music events in atypical places (highway bridge, clearing, vaults...) and over long durations (from 6 to 24 hours). Since 2001, he also work on the 108 speakers orchestra  for Pierre Henry.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;a href="http://www.field-berlin.com/"&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;-&gt; Startseite / Home&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4399162052494392159-2383896950253678874?l=field-julienclauss.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://field-julienclauss.blogspot.com/feeds/2383896950253678874/comments/default' title='Kommentare zum Post'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4399162052494392159&amp;postID=2383896950253678874' title='0 Kommentare'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4399162052494392159/posts/default/2383896950253678874'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4399162052494392159/posts/default/2383896950253678874'/><link rel='alternate' type='text/html' href='http://field-julienclauss.blogspot.com/2007/08/werkbeschreinbung-about-work.html' title='WERKBESCHREINBUNG / ABOUT THE WORK'/><author><name>FIELD</name><uri>http://www.blogger.com/profile/17772288205740600873</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
