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JULIEN CLAUSS

Geboren / born 1974 in Frankreich / France
Lebt und arbeitet / lives and works in Berlin

Künstler / Artist's Homepage: WWW.CYCLIQ.ORG

LEBENSLAUF / CURRICULUM VITAE

Studies
1979 - 1987
Suzuki Institute of Strasbourg
Degree in fluid mechanics and a master's degree in mechanical technology
Course in acoustics at the Conservatoire National des Arts et Métiers, Paris


Exhibitions and Festivals

2 0 0 8
PAUSE : audio-tactil installation
Circuits Eclectiques #2, Agora, Evry
BULLES : concert on water, open air spatialised sound performance
Lac d'Annecy, Annecy
PAUSE : audio-tactil installation
Festival OCTOPUS, Maison des M_étalos, Paris

2 0 0 7
BULLES : open air spatialised sound performance
Villa Arson, garden, Nice
ISO : installation in public space
Passage du Glacis, Luxembourg 2007
Retour à la surface : sound sculpture
Galerie Field, Berlin.
A journey into stereo sound : headphone concert
Festival Le Placard X, Paris
La cellule de structuration du lendemain : performance for voice synthetizer
La Générale, Paris
VOL : installation sonore
AltStadt Neu, Spangenberg
LES PHASES SYBARITES : open air spatialised sound performance
Chateau de Veauce, Allier
Betilyonis : 8 channel concert
Café Charbon, Nevers

2 0 0 6
SAEL : multimedia installation in public space.
Lyon, Fêtes des lumières
Retour à la surface : sound scuplture
Galerie [inter]stice, Lyon
Réactions épidermiques : résidence for audio-tactil performance.
Tesla, Berlin
Raplapla : audio tactile installation with Lynn Pook
Techné Festival, Istanbul

2 0 0 5
Transversal Memory : net-art performance , with b-l-u-e-s-c-r-e-e-n
Friche RVI, Lyon. http://b-l-u-e-s-c-r-e-e-n.net/transversalmemory/
Pause : audio tactile interactive installation with Lynn Pook : net hanging bed with vibrant loud speakers.
Festival Intrusion, Montbéliard
Betilyonis : height channels audio performance with Cedric Pigot
Les voutes, Paris
Pause : audio tactile interactive installation with Lynn Pook
Festival Emergences, Paris
Raplapla : sound creation for the audio tactile interactive installation from Lynn Pook
Festival Neue Musik Rumlingen, Suisse
The Ultrasound of therapy : audio-tactil installation with Lynn Pook and Staalplatt
Festival Garage, Strahlsund, Germany
Regard sur le Bruit : performance, expérimental cinéma with O. Perriquet
Panorama 6, Le Fresnoy, les Hospices d'Avré, Musée d'art moderne de Lille

2 0 0 4
Transversal Memory : net-art performance , with b-l-u-s-c-r-e-e-n :
Plasticiens du Web, Centre Pompidou, Paris
StreamScape: Net-art installation with b-l-u-s-c-r-e-e-n :
real time landscape from webcam fluxus hybridation
zone#01, Aix-en-Provence
Initiales D.J.: theatre with TNT company
théâtre de la Tempête, Paris
Fiction (fictions) : generativ book from jean Pierre Balpe
Sound creation workshop
Maison du Geste et de l’Image, Paris

2 0 0 3
solidsound : dance and sound spatialisation with motion tracking
théâtre du Marché au grain, Bouxwiller
différence de marche : sound installation
Galerie u-s-t-l, Lille
persistances, itération 06 : experimental cinema
USTL, Lille
radiographie : sound installation with triny Prada
Atelier Prada, Montreuil
rectangle : performance, 9 hours mix from minimalist and noisies pieces
Atelier Prada, Montreuil
persistances, itération 05 : concert / cinéma expérimental
dwni : installation sonore :
Galerie Stimultania, Strasbourg
persistances, itération 04 : concert / cinéma expérimental
Galerie Interieure, Lille
Quoi, où ? de Samuel Beckett
Mise en scène L.Nobileau -JTN Paris

2 0 0 2
pré-circulation: 24 hours open air spatialised sound performance
Pierre Pflimlin Bridge, France/Allemagne
persistances, itérations 01-03 : concert / cinéma expérimental
Manifesta #4 -Francfort Biennale
Zoo Cabaret avec L. Nobileau
Les Voûtes, Lilas en scène, Paris

2 0 0 1
quelque chose comme vingt heures de musique électronique contemporaine …
performance with Cedric Pigot, Alexandre Pax and Marc Lansley
Strasbourg

WERKBESCHREINBUNG / ABOUT THE WORK


Since 2001, Julien Clauss has developed plastic sound work and has developed installations and performances which bring into play the materiality of the soundfiels and the spatial diemension of the sound.

He seeks physically to engage the listener in the process of listening and uses the sound as a means of establishing a relationship between the physical body and space. The confrontation between the human body and various types of sound spaces allows it multiple experiences of perception.
His esthetics of sound oscillates between micro-sound and ambient noise. For his performances, he has developed an octophonic sound system, as well as interfaces and applications for spatializing and real time processing.

He create the 8 channels sound performance Betilyonis with Cedric Pigot, participe with Bluescreen on the net art projects Streamscape and Transversal Memory, and work with Lynn Pook on audio-tactile installations and performance.
He organizes experimental electronic music events in atypical places (highway bridge, clearing, vaults...) and over long durations (from 6 to 24 hours). Since 2001, he also work on the 108 speakers orchestra for Pierre Henry.

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